The Brothers Quay, iconic for their unique stop-motion animations, create films that revolve around eerie puppets and possess a strange desktop universe of their own.
In their view, voicing the puppets diminishes their identity, asserting that even speaking for the puppets is demeaning—not to actors, but to the puppets themselves.
'Sanatorium Under the Sign of the Hourglass' showcases seven disjointed scenarios inspired by Bruno Schulz, offering a glimpse into their distinctive narrative style.
At 77 and reflecting on their film-making future, the Quays are skeptical about funding, humorously noting, 'No one's going to fund two old men.'
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