The Language of Horror: Ishana Night Shyamalan on The Watchers | Interviews | Roger Ebert
Briefly

We were trying to find the most uncomfortable way we could frame something, which often meant having more negative space with a frame and having things either too close or too far.
One aspect that was freeing was that he told me, 'I don't see my book and your film as the same art piece. You're making your own art piece, so do whatever you want there.'
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