First Reformed marked the beginning of the Paul Schrader Renaissance, leading to a series of films fostering a new generation's perception of his works as revolving around men in rooms with peculiar revenge plots.
Oh, Canada, Schrader's latest film at Cannes, challenges audience expectations by delving into the guilt of a Great Man through a complex narrative device involving recollection, imagination, conflation, and competing authorship.
Schrader, emphasizing the longevity of his works over immediate reviews, approaches filmmaking with both abstract ambitions and practicality, expressing confidence in his material despite potential criticisms.
Despite potential mixed reviews at Cannes, Schrader believes that 'Oh, Canada' holds enduring secrets and surprises that will resonate beyond initial festival reactions.
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