Donald Sutherland possessed a distinctive leonine handsomeness combined with a refined screen acting technique comparable to Paul Scofield. His Canadian background and early stage training in England and Scotland gave his American roles an Anglo-international class touch.
Sutherland's roles were commanding and exacting, always bringing something special to each character and film. Even in absurd roles like that of a preposterous womaniser in 'Casanova,' he maintained a strong and mesmeric presence.
From playing a fascist in '1900' with a twinkle-eyed dynamism to displaying bulging-eyed rage, joy, or malice, Sutherland showcased a wide range of emotions and character depths. His ability to embody villainy, sensuality, or leadership with gravitas set him apart.
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