In Stereolab she wrapped lyrics about war, capitalist collapse, and fascism into soaringly groovy pop songs, while Little Tornados, her group with filmmaker David Thayer, tackled exploitative economic systems over honeyed guitar licks.
The contrast between musical mood, lyrical darkness, and Sadier's almost standoffish tone-a model of cool, melodic mystery-is genuinely unsettling, a reminder of the singer's long history as a politically charged disruptive force in modern music.
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