In this 1964 British black-comedy satire, James Brewster's ambitions lead him to a seedy friendship, showing the lengths one will go for social acceptance.
James Brewster's character arc highlights a deep-seated desire for acceptance, as he transitions from lower-class embarrassment to gaining confidence through Charlie's influence.
Clive Donner’s direction, paired with Nicolas Roeg’s cinematography, creates a visually stunning satire that critiques class distinctions and social climbing in 1960s Britain.
The dynamic between James and Charlie explores themes of parasitic friendships where desperation for social polish can blur moral lines.
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