'At Tate Modern, I want us to take real risks': director outlines her plans to borrow rather than buy Indigenous art
Briefly

Hindsbo emphasizes the need for Tate Modern to embrace risk-taking, stating, 'I want us to take real risks. I am sure that occasionally we will fail, but if we don't do that we will never change.' This bold approach is seen as essential for the institution's growth and relevance in the contemporary art world.
Hindsbo discusses a proposed shift in accessioning Indigenous art at Tate Modern, asserting, 'You cannot have the same classical ownership structure. It could be some kind of dual solution or contract with the community.' This reflects a deep respect for cultural heritage and community involvement.
Highlighting Tate Modern's youthful spirit as it approaches its 25th anniversary, Hindsbo notes, 'It is a young and rebellious age!' This sentiment aligns with her vision for the museum to continue being a pioneering and transformative institution.
Regarding the changing tolerance within the art world, Hindsbo poses a thought-provoking question, implying that the complexities of societal issues—like gender equity and political conflicts—continue to challenge institutions like Tate Modern as they navigate their cultural roles.
Read at The Art Newspaper - International art news and events
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