The exhibition space is accessed through the building's verdant courtyard, modelled on Van Gogh's Encounters Le Jardin de l'Hôtel de Dieu, whereafter you are plunged into Mark's largely monochrome world.
Aside from celebrity portraiture, most of the late photographer's work, both commissioned and personal, focused on marginalized sectors of society, from inpatients at a psychiatric institution in Oregon to sex workers in Mumbai.
Mark captured her subjects with immense skill and sensitivity, typically spending weeks or months getting to know them, and often remaining in touch thereafter. Making for vital viewing, the show offers up moments of levity.
Vampires Fear No Looking Glass at Église des Trinitaires celebrates the unique atmosphere of the dilapidated church, fitting well with the theme of the exhibit.
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