As in many buildings from that era, at least in this city, the first-floor parlor has high ceilings, whose walls are packed salon-style with the core holdings of the institute: a few hundred mounted and framed examples of LSD blotter.
Gazing at these crowded walls, the visitor is confronted with a riot of icons and designs, many drawn from art history, pop media, and the countercultural unconscious, here crammed together according to the horror vacui that drives so much psychedelic art.
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