#open-khipu-repository

#open-khipu-repository

The Dormis Donata form the connecting axis of KUSKA, a rural complex located at 3,100 meters above sea level in the agricultural landscape of the Sacred Valley of the Incas. Nestled between mountains and terraces, they offer a context in which architecture engages in dialogue with memory, topography, and the cyclical rhythms of the environment.

The Andes Cordillera is full of incredible sights, unique ecosystems, and unforgettable experiences. I believe there's something here for everyone, from vibrant cities to towering volcanic peaks.

In the small town of Chipaya, everything is dry. Only a few people walk along the sandy streets, and many houses look abandoned some secured with a padlock. The wind is so strong that it forces you to close your eyes. Chipaya lies on Bolivia's Altiplano, 35 miles from the Chilean border. The vast plateau, nearly 4,000 metres above sea level, feels almost empty of people and animals, its solitude framed by snow-capped volcanoes. It raises the question: can anybody possibly live here?

Grant­ed access to a time machine, few of us would pre­sum­ably opt first for the expe­ri­ence of skull surgery by the Incas. Yet our chances of sur­vival would be bet­ter than if we under­went the same pro­ce­dure 400 years lat­er, at least if it took place on a Civ­il War bat­tle­field. In both fif­teenth-cen­tu­ry Peru and the nine­teenth-cen­tu­ry Unit­ed States, sur­geons were per­form­ing a lot of trepa­na­tion, or removal of a por­tion of the skull.

On November 28, with just weeks remaining until the run-off in Chile's presidential election, far-right candidate Jose Antonio Kast issued a warning. "To the irregular immigrants in Chile," he said, "I tell you that 103 days remain for you to leave our country voluntarily." Kast ultimately won the election and is expected to be sworn in on March 11. But so far, in the highlands of Chile's most northerly region, the immigrant exodus that some expected has not occurred.

Here dwells the indigenous Tzotzil community which has kept a pastoral way of life against the march of time. Apart from the odd forest ranger and passerby, Ruvalcaba's film focuses almost entirely on the Tzotzil women. Together, they tend herds of sheep which they still shear by hand, and use traditional tools for spinning yarns and natural dye for fabrics.

It is not about reproducing the past but about engaging in dialogue with it. We apply the same level of care and rigor to all pieces. Many of our utilitarian pieces have a strong sculptural quality, and several of the more artistic works originate from everyday forms and functions. We do not establish rigid boundaries between these categories; all are part of the same vision.

His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.

When I enter a museum, I'm not looking for what's on the walls, I'm looking at what's behind them.