We've long seen how charming and generous [Jackson] could be, opined Jefferson. Now we've also seen how calculating, selfish and gripped by demons he was. Leaving Neverland remains the most effective resume of that apparent duality, and of how in the case of Wade Robson and James Safechuck their memories of the singer's dream-like ranch would take on an infernal quality.
As Michael Jackson saw it, children would become enamored with his personality as well as want to touch and hug him and sometimes it [got] me into trouble, the late US pop superstar says in previously unheard audio recordings contained in a new documentary. The UK's Wonderhood Studios included the recordings of Jackson voicing those thoughts for a new four-episode documentary series beginning on Wednesday that explores his acquittal on child sexual abuse charges after a 14-week criminal trial near Los Angeles in 2005.
Markus acknowledges the extensive work involved in embodying Michael Jackson's essence on stage, particularly through collaboration with original tour choreographers who worked closely with Jackson.
Jonah wanted to replicate Michael Jackson's anti-gravity lean, leading him and his mom to build and test different shoes to understand the illusion behind it.