The medieval era was very much about church music, partially because that's where a lot of the creativity was happening, and partially because the church was the primary institution, along with universities, dedicated to writing things down.
Bonamassa explains the origin of the sprawling tribute, saying, 'It was brought to my attention... that B.B. King would be turning 100... and nobody was planning on doing much. I said we need to do something.'
Revolución to Roxy begins long before glam, synthesizers, or LP covers became cultural landmarks. Manzanera's earliest memories are shaped by upheaval: childhood in Cuba during the revolution, displacement, and an upbringing that crossed Venezuela, Colombia, England, and beyond. That instability, he says, produced something lasting-understanding. "If you grow up speaking two languages, you are scientifically proven to be more compassionate," Manzanera says. "You have this kind of duality, and one of those is the power to be empathetic. For a musician, that is such a helpful tool."
Amos, backed by the BBC Concert Orchestra, began with a rousing debut performance of 'Stronger Together,' where you really feel that track's depth and resonance. From there, Amos busted out a classic track with 'Cornflake Girl' followed by covers of The Rolling Stones' 'Beast of Burden' and Bob Dylan's 'The Times They Are A-Changin.' As if the live debut wasn't already enough, Amos' covers were that perfect blend of poignant and stirring.
"When I read the fine print, it was 'an experience with REO Speedwagon's music.' It's none of the original members," Fletcher recalls. "I don't want to promote the show unless it's the real thing. I don't know why you would want to see that. It's just a cover band. To me, that's a little bit strange." He adds, with a sigh, "If there are no original members, who cares?"