#copyrightlicensing

#copyrightlicensing

Skillz alleges that Papaya misrepresented its games by using bots, which created unfair competition and caused damages amounting to hundreds of millions of dollars. Skillz's attorneys argue that the company's financial decline is directly linked to Papaya's actions, claiming that had Papaya disclosed its use of bots, it would not have been able to capture Skillz's customers and market share.

Amazon has informed Kindle owners that any e-readers from 2012 and earlier will no longer be supported as of May 20, 2026. Users can still read downloaded books but cannot purchase new ones, and a factory reset will render the device unusable.

Author Malorie Blackman said the scheme seeks to highlight the imagination, commitment, craft and care taken to produce stories and books which can be enjoyed by everyone. She added: Any creative endeavour requires time, effort, a willingness to learn from mistakes and failure, and a determination to persevere lifelong, essential skills which cannot be learned and honed by allowing AI to do all of our creative thinking and production for us.

Common genre tropes like love triangles, supernatural powers, and chosen one narratives are not protectable under copyright law, which allows for creative freedom in storytelling.

"Under our precedents, a company is not liable as a copyright infringer for merely providing a service to the general public with knowledge that it will be used by some to infringe copyrights," Justice Clarence Thomas wrote for the court.

In a February 2 notification sent to relevant customers, the cloud giant says it is updating its Service Terms to specify it does not have "defense or payment obligations for third-party patent claims against you related to use of these services for audio/video encoding, decoding, or transcoding." The services in question are AWS Elemental MediaLive, AWS Elemental MediaConvert, Amazon Interactive Video Service, Chime SDK, Amazon GameLift Streams, and Amazon Kinesis Video Services.

those options range from "option 0", simply doing nothing and leaving UK copyright legislation in its currently uncertain state when it comes to the use of copyright materials to train AI models, through to options which would either require specific consent from rights holders in all cases ("option 1") or allow consent to be assumed by AI developers unless a rights holder objects, subject to developers being transparent about what materials have been used in training ("option 3").

For years now, actors have rung the alarm bells over the AI industry planning to sell their likeness and voices - either with or without their consent - and hence threatening to put them out of work. Beyond a major 2023 strike by Hollywood actors fueled by these concerns, we've already seen actors take matters into their own hands, like when Scarlett Johansson threatened to sue OpenAI over a ChatGPT update that she claims imitated her voice.

In recent years, multimedia content has firmly established itself online, fueled by the development of high-speed Internet technologies as well as the growing availability of tools for creating and editing video. The global lockdowns also contributed to this process by forcing people to look for similar alternatives on the web. If integrating video into your communications sounds like an overwhelming investment, start leveraging your products with music and audio that are often underestimated by marketers.

New data is reinforcing a structural shift in how AI systems access publisher content: AI models are increasingly scraping publisher content, regardless of bot-blocking measures or content licensing deals meant to control usage, improve attribution or drive referral traffic. New research from analytics firms and bot-tracking companies shows AI tools are increasingly crawling publisher sites as inputs for AI-generated summaries and training, while sending back only limited referral traffic.

The campaign argues that in the race for dominance in the new GenAI technology, some of the world's wealthiest tech companies, along with private equity-backed ventures, have engaged in a "massive rip-off" of creative content without authorization or compensation. According to the campaign, this practice "imperils U.S. jobs, economic growth and global 'soft power' supported by the U.S. creative industries." The campaign warns that this widespread infringement erodes the foundation of the U.S. entertainment industry and disincentivizes the creation of new works.

The Copyright Claims Board estimated that 'as much as three-quarters of its time is spent on the initial review of claims and amended claims and writing noncompliance orders explaining claim deficiencies,' according to the report. The U.S. Copyright Office on Friday released its report pursuant to the Copyright Alternative in Small-Claims Enforcement (CASE) Act, finding that the Copyright Claims Board (CCB) is largely successful but that there is 'room for improvement in various respects.'

A few years ago, I put together what I felt was a truly innovative concept, which I presented in a conference poster at an international meeting in my field. After the presentation, I spoke to another early-career scientist about my work and how it might apply to their findings. Two years later, they scooped me by publishing a preprint paper that presented my idea, with many of the same verbal formulations and an identical flow of ideas, without any acknowledgement or attribution to my work.