#charles-garnier

#charles-garnier

Before, it was very dark. We created a system to make use of the low-ceilinged space under the roof. It allowed us to incorporate plenty of storage, as well as the apartment's service elements.

The apartment navigates two opposing conditions: the tranquil greenery of the Taiwan Contemporary Culture Lab to the south, and the bustle of a major commercial boulevard to the north.

I like to create a small universe. From the master plan to the doorknobs, from the trees planted outside to the way people will sit and eat and dance inside, you create and control a whole microcosm.

The Aubusson Tapestry Museum is situated in an exceptional context shaped by a rich history and a powerful natural environment. The Creuse capital of tapestry has been marked by its history since the royal manufactory of the 14th century.

The ballroom design features impractical elements like a stairway to nowhere and fake windows, emphasizing a focus on flashiness over functionality.

The style is characterized by raw, exposed concrete and bold geometric forms. You've certainly seen it before in many cultural and civic buildings built between the 1950s and '70s. With countless examples spanning countries and continents, the look has both historical significance and remains popular-particularly in residential design-today.

I fell in love with painting when I discovered Monet's water lilies and this idea of painting something that's in movement. And then I got obsessed with the face and the portrait, which is a bit the same, this kind of fleeting aspect of identity that you cannot really grasp or catch.

Renzo Piano Building Workshop (RPBW) unveils a new vision for the Ensemble Immobilier Tour Maine-Montparnasse, a large-scale urban retrofit that transforms a closed 1970s retail complex into an open, pedestrian-focused piece of Paris. Commissioned by the co-owners of the Montparnasse Commercial Centre and the CIT Tower, the project unfolds in parallel with the ongoing redevelopment of the adjacent Montparnasse Tower, led by Nouvelle AOM. The two interventions aim to recalibrate one of the most contested sites of the city, shifting it from an inward-looking megastructure to a permeable urban district grounded in daily life, movement, and public space.

With 'Dance Reflections,' the idea was to give back concretely to another discipline that still gives us a lot. It's the reason why 'Dance Reflections' is a sponsorship program, but also a curatorial program; that's quite rare for a brand to have.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

Gropius, who from 1919 to 1928 directed the Bauhaus in Weimar and Dessau, designed the house in 1921-22 for lawyer Fritz Otte. The property is considered a dramatic evolution of Gropius's earlier seminal Haus Sommerfeld, which was also located in Berlin, but destroyed in World War II. The Bauhaus founder embraced a forward-looking approach with an unadorned, sharp-edged structure that rejected the heaviness of 19th-century historicism.

Tucked down a cobblestoned, tree-lined alley in the 11th arrondissement, just steps from the Place de la Nation, a Paris loft has been given a new life. The space, a former artist's studio turned residence, opens directly onto the street and is crowned by a transom window that floods the interior with natural light. Interior designer Caroline Pusset, who founded Studio Rœus with her sister, points to the soaring proportions as a starting point for the redesign.

At the heart of the Quartier des Gares, the 900 Saint-Jacques tower offers a contextually sensitive response to contemporary challenges of high density urban living.

The transformation of the chapel of the Saint-Joseph convent in Saint-Félicien is founded on a guiding principle: designing with what already exists. The intervention seeks neither to erase nor to stage the heritage, but rather to offer a precise and measured reinterpretation of its architectural qualities in service of new cultural uses.