"Curve Display embraces classicism, but it is not a slave to these roots. So many of its uppercase and lowercase letters are beyond expectations. Some of the caps - including A, D, E, F, X, R, V, and W - are ostensibly abstract, which, when viewed as single letters, only hint at what they are, while juxtaposed with more conventional letters, are instantly identifiable."
"While the entire font family, from Light to Ultra Bold, is full of errant and rebellious letters, there is a baseline, uniform precision that reigns in the font's overt eccentricity. This is a face that will contribute a defining accent to all manner of graphic design applications."
Curve Display, designed by Arne Freytag, represents an evolution of the 2015 typeface Curve, combining classical Didone influences with playful, experimental elements. The font features unconventional uppercase and lowercase letters that push beyond traditional expectations while maintaining recognizability through juxtaposition with conventional forms. Letters like A, E, and F are rendered as abstract shapes that hint at their identity, while others like N, O, Q, and T remain traditional. Despite its eccentricity across the entire family from Light to Ultra Bold, the font maintains baseline precision and uniform structure that controls its rebellious nature, creating a distinctive yet viable typeface suited for modern graphic design environments.
Read at I Love Typography Ltd
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