"Valerie Cherish, a washed-up sitcom actress whose relentless pursuit of relevance forms the series' backbone. Across its three-season run, with each installment arriving roughly a decade apart, King, who is 71, has managed to satirize whatever fresh indignity Hollywood has devised for itself."
"The original 2005 season targeted the rise of reality television. The 2014 revival turned its attention toward prestige cable auteurs and the absurdity lurking beneath television's so-called golden age. And now, with its newly completed third season, we follow Valerie as she signs on to star in a sitcom secretly written by AI, turning the entertainment industry's anxiety over automation into perhaps the show's bleakest punch line yet."
"Plenty of shows have started poking at AI anxiety. (HBO stablemate Hacks aired an anti-LLM episode just a few weeks ago.) But The Comeback approaches the subject from a darker and, in some ways, more uncomfortable angle. King and Kudrow are less interested in warning viewers about rogue technology than in examining the human appetite that makes this kind of technological displacement possible in the first place."
Valerie Cherish, a washed-up sitcom actress, drives the series through her relentless pursuit of relevance. The Comeback uses satire to target shifting entertainment industry pressures across three seasons released about a decade apart. The first season focuses on the rise of reality television, while the revival turns to prestige cable auteurs and the absurdity beneath television’s celebrated era. The newest season follows Valerie as she signs on to star in a sitcom secretly written by AI. The show treats AI displacement as a bleak punch line, emphasizing the human appetite that enables technological displacement rather than offering a simple warning about rogue technology.
Read at Fast Company
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