Louder than Bombs: Joachim Trier's thorniest film might be his best
Briefly

Louder than Bombs: Joachim Trier's thorniest film might be his best
"She plays a character also called Isabelle, a renowned war photographer whose secrets haunt her family three years after her sudden death. Her teenage son Conrad (Devin Druid) still daydreams in class about the car crash that claimed her life, imagining her final, panicked moments. His brother Jonah (Jesse Eisenberg) and father Gene (Gabriel Byrne) know (and conceal) the truth: that her fateful, split-second swerve was an act of suicide."
"Across a series of flashbacks (in which perspectives, memories and dreams are interlaced), the family's matriarch is gradually revealed. She worries more about the ethical dimensions of her work than its active occupational hazards, questioning her responsibilities as both observer and purveyor of suffering. Not unlike the recovering addict protagonist of Oslo, August 31st, there's a compulsive edge to her psychology that Trier carefully probes; while her husband willingly gives up an acting career to support their children, she's unable to submit to suburban life."
Louder than Bombs follows a bereaved family in upstate New York grappling with the death of Isabelle, a renowned photographer. Isabelle's suicide is concealed by her husband Gene and son Jonah while her teenage son Conrad obsesses over imagined final moments. The film unfolds through interlaced flashbacks, memories, and dreams that gradually reveal Isabelle's ethical anguish about photographing suffering and her inability to settle into suburban life. Trier probes compulsive psychology, moral responsibility, and the jagged terrain of grief. Isabelle Huppert delivers prolonged, burdened closeups with an impossible-to-meet gaze. The film maps themes later revisited in Trier's work.
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