"This direct translation from biology to design yields a chair that feels organic, functional, and distinctly new; an object where comfort and concept are literally intertwined. Designers Mingyu Seo and Eojin Jeon have put this piece on Behance as part of their 'Himalaya' project, and it is one of those rare finds that genuinely makes you reconsider the relationship between our bodies and the objects we use daily."
"We have seen biomimicry in furniture for decades, from the subtle curves of an Eames lounger to the algorithmic bone structures of Joris Laarman's work. Yet, the Pelvis Chair feels different because its reference is so unapologetically direct. It sidesteps the abstract and instead presents a clear, almost educational, link between its form and its inspiration. This is not a vague nod to nature; it is a deep dive into anatomical engineering."
Designers Mingyu Seo and Eojin Jeon translated the pelvis's silhouette and supporting function into the Himalaya Pelvis Chair, producing an organic and ergonomic seat. The design uses literal anatomical references rather than abstraction, emphasizing structural cradle-and-support principles derived from the pelvic bone. Two variants demonstrate material sensitivity: a vibrant green upholstered version features heavy-duty woven textile and prominent cross-stitching that articulates curves, while a speckled blue version appears molded. The chair balances educational clarity and refined execution, avoiding medical aesthetics to become an elegant piece that prompts reevaluation of human-centered furniture design.
Read at Yanko Design - Modern Industrial Design News
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