"At Design Miami's 20th edition, Paris-based architects and designers Berenice Curt and Caroline Duncan introduce the first chapter of Scenarii Édition, a new curatorial line extending their ongoing investigations within Berenice Curt Architecture. Presented in collaboration with The Spaceless Gallery, the debut features two pieces, the Tripodal chair and the Torii table. Both works rely on hand-polished stainless-steel frameworks, setting the stage for material experiments ranging from reclaimed wood to mycelium-grown textiles."
"Scenarii Édition positions collectible design as a site for rethinking material life cycles. The studio's method is grounded in the belief that leftover, irregular, or undervalued materials carry narrative weight. Throughout the debut collection, stainless steel becomes a stabilizing armature that welcomes evolving surface treatments, wood, , biomaterials, each chosen for its imperfections rather than despite them. This perspective, the designers note, transforms fragments into protagonists, allowing form to emerge through processes of elevation rather than erasure."
"The Tripodal chair, also available as an armchair, anchors its identity in a converging three-leg geometry, a polished stainless-steel structure conceived as a host for multiple future upholsteries and textures. For the special Design Miami edition with The Spaceless Gallery, Curt & Duncan pair the frame with Reishi, a mycelium-grown material developed by MycoWorks. This iterative, manual process sets up a dialogue between technological innovation and human gesture."
Paris-based architects and designers Berenice Curt and Caroline Duncan premiered the first chapter of Scenarii Édition at Design Miami's 20th edition in collaboration with The Spaceless Gallery. The debut features the Tripodal chair and the Torii table, both built on hand-polished stainless-steel frameworks that accommodate a range of surface experiments from reclaimed wood to mycelium-grown textiles. The studio treats leftover, irregular, and undervalued materials as carriers of narrative weight, using stainless steel as a stabilizing armature to elevate imperfections. The Tripodal chair pairs a converging three-leg geometry with Reishi mycelium upholstery, creating a dialogue between technological innovation and hand-woven craft.
Read at designboom | architecture & design magazine
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