Review | Marjorie Prime' ages into something unsettling on Broadway amNewYork
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Review | Marjorie Prime' ages into something unsettling on Broadway  amNewYork
"When Marjorie Prime premiered a decade ago, its technology felt abstract and futuristic. Today, it feels incremental. Artificial intelligence is no longer a novelty; it is fluent, responsive, and embedded in daily life. What once played as a cautionary what if now lands as a question of habit: not whether we would use such technology, but why we already do."
"Set in the not-so-distant future, Marjorie Prime unfolds in a sunlit living room where technology hums discreetly in the background and grief does the heavy lifting. The four-person cast is deceptively simple but formidable. June Squibbnow 96stars as Marjorie, an 85-year-old widow whose memory is beginning to fail. Cynthia Nixon plays her tightly wound daughter Tess; Danny Burstein is Jon, Tess's husband and the family's emotional mediator; and Christopher Lowell appears as Walter, who seems at first to be Marjorie's late husband in his prime."
Set in the near future, a sunlit living room houses discreetly humming technology and persistent grief. An 85-year-old widow named Marjorie experiences failing memory and interacts with a Prime replica that resembles her late husband. Her tightly wound daughter Tess and husband Jon act as familial mediators amid escalating ambiguity about who is human and who is artificial. Artificial intelligence appears fluent and embedded in daily life, turning memory into a product and comfort into an outsourced service. The technology reframes mourning as habit and raises questions about identity, remembrance, and the ethics of manufactured memory.
Read at www.amny.com
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