"With a familiar narrative, an enchanting storyline, and an enduring message of hope, Cinderella is a ballet that appeals to all generations. Eugene Ballet's production of the classic work this month incorporates the efforts of multiple generations of dancers and staff. Former artistic director Toni Pimble choreographed the production, which is set to Sergei Prokofiev's Cinderella score, performed live by Orchestra Next."
"The Cinderella fairytale provides the perfect opportunity for both dancers and designers to pour on the visual artistry. The choreography contains a wealth of solos, duets, trios, and virtuosic moments. "This ballet allows our dancers to truly shine," Martin adds. "The choreography is both technically demanding and emotionally rich, taking the dancers and the audience on a full emotional journey.""
Eugene Ballet presents Toni Pimble's choreography of Cinderella set to Sergei Prokofiev's score, performed live by Orchestra Next. The staging integrates nature themes through the Fairy Godmother and four seasonal fairies, framing Cinderella's journey toward love and liberty. The production involves multiple generations of dancers and staff and emphasizes hope, grace, determination, and resilience. Sets and costumes create immersive, magical atmospheres, while choreography offers a range of solos, duets, trios, and virtuosic moments. Casting features Koatsu Yashima and Sarah Kosterman as Cinderella, Koki Yamaguchi and Joshua Downard as Prince Charming, and Jade McAnally with Sarah Kosterman as Fairy Godmother.
Read at Oregon ArtsWatch * Arts & Culture News
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