Wagner's Tristan und Isolde blends love and death, showcasing mutual death as the highest form of devotion. Arnarsson's production at Bayreuth highlights the death aspect, portraying love as a transcendent suicide.
Conductor Semyon Bychkov captivates with a nuanced interpretation, guiding emotions as intended by Wagner. Bayreuth Festival's inclusion of female conductors sets a positive example in the classical music world.
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